综观三十年来,在杂技理论建设与研究方向上,我们可以看到在杂技表演艺术、杂技的市场化与产业化等方面研究较多,也较深入,而对杂技观众的专题性、专论性研究不是很多,即使在一些文章中提到观众,但探讨得并不很深入。其实,杂技观众问题是我们杂技理论极其重要的研究对象。本文试从观众的构成与特点、观众的审美取向、观众的参与交流等方面来阐释。一、观众的覆盖面大从观众的年龄结构、文化程度、艺术素养、生活经验等方面看,杂技观众的覆盖面 Looking at the three decades, in the acoustics theory and research direction, we can see in the acrobatics performing arts, acrobatics market and industrialization and other aspects of more research, but also more in-depth, while acrobatics audience features, monographs There is not much sex research, even though the audience is mentioned in some articles, but the discussion is not very deep. Actually, the problem of acrobatics spectators is the extremely important research object of our theory of acrobatics. This article attempts to explain the composition and characteristics of the audience, the audience’s aesthetic orientation and audience participation and exchange. First, the audience coverage From the audience’s age structure, education level, artistic accomplishment, life experience and other aspects of the acrobatics audience coverage