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本文所分析的这六首钢琴练习曲作于二十世纪八十年代里盖蒂创作的高峰时期。六首练习曲各有标题,是由单一主题发展而来。在节奏上的丰富变化是这六首作品中最为突出的特点之一,左右手在节奏分层的基础上分别形成了各自的复节奏与复节拍的混合变化。另外,两手建立在相同主题之上的不同的调式调性和不同的发展方式也是这六首作品中另一个尤为显著的特点。本文在这两点上进行了较为细致的分析。
The six piano pianos analyzed in this article were made at the height of Riggetti’s creation in the 1980s. Each of the six Etudes has a title that evolved from a single theme. Rich changes in the rhythm is one of the most prominent features of the six works, the right and left hand in the rhythmic stratification based on the formation of their respective complex rhythm and complex beat changes. In addition, different modalities and different modes of development based on the same theme are also the other notable features of these six works. This article conducted a more detailed analysis on these two points.