为旋律着色时,除了忌讳单调外,也要避免紊乱。其中主要问题是,旋律色调的变化,应以感情起伏,情绪增减为依根而进行整体布局,并注意旋律音的运动,应该有层次。例如郑秋枫的《思乡曲》,为四个乐句的乐段结构(结束句变化重复扩充),调性是单一的,由于要表达诉离情话衷肠的感情,在大调中含有小调的色彩(这与《渔光曲》的调色有相似之处)。全曲最短,但调式中各音级,几乎都在发展中担任 For the melody coloring, in addition to taboos, but also to avoid disorder. The main problem is that the melody tone changes should be based on emotional ups and downs, emotional changes in accordance with the root and the overall layout, and pay attention to melody tone movement, there should be a hierarchy. For example, Zheng Qiufeng’s “Hometown Song” is a passage structure of four phrases (repeated expansion of the ending sentence variation). The tonality is a single one. Similar to the color palette of “Fishing Light”. The whole song shortest, but the tone in the tuning, almost all in development