民国时期是中国历史上一个重要时期,在此期间,中国美术史也发生了重大转折。民国之前的美术史研究多集中在古典形态或传统形态上,大多关注书画理论研究,以专著和随笔札记体裁为主,研究评述的主观性与经验性过强,缺乏理论性和系统性。随着1917年姜丹书著的《美术史》出版,大 The period of the Republic of China was an important period in Chinese history. During this period, there was also a major turning point in the history of Chinese art. The research on the history of art before the Republic of China mostly concentrated on the classical forms or the traditional forms, most of them focused on the study of the theory of calligraphy and painting, mainly on monographs and essays, and the subjectivity and empiricism of the research and reviews were too limited, lacking in theory and systematization. With the publication of “Art History” written by Jiang Dan in 1917, the great