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《呼啸山庄》的女主人公凯瑟琳由荒原超我朝着父权制所要求的“安琪儿”式超我转变,其构建过程呈现了社会身份认同的三个历程:类化、认同及比较,涉及对两种矛盾对立的文化群体的抉择:荒原文化群体与山庄文化群体。本文通过对这一过程进行解析揭示了凯瑟琳摆脱不了“不想死而不得不死”的“他者”之千年宿命——犹如刺在缎子屏风上的鸟。
The heroine Catherine of Wuthering Heights has been transformed from the “Angel” superman demanded by patriarchy in the wilderness supernatural power system. The process of its construction shows three stages of social identity: categorization, identification and comparison, Two Kinds of Opposite Cultural Groups: Waste Culture and Villa Culture. This article by analyzing this process reveals Catherine can not escape “do not want to die but have to die ” “Other ” the millennium fate - like a sting in the satin screen bird.