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普契尼、马勒、理查·施特劳斯,是后期的浪漫主义音乐家。“《蝴蝶夫人》是我写过的最好的歌剧。”普契尼说,“(他)一旦将注意力集中在一个歌剧的题材上,就会为了细节的真实可信而倾注全力。”也许他最大的天才就在于把咏叹调、对话、行动和管弦乐的连续性糅合在一起。马勒说:“我是‘三重’的无家可归者,一个出生在奥地利的波希米亚人,一个生活在德国的奥地利人,一个走遍全世界的犹太人。”爱因斯坦评价马勒时说,他的音乐挣扎于狂喜与绝望之间,忠实地反映了一战前的内在的不协调,却又包含着更多的艺术真实。
Puccini, Mahler, Richard Strauss, is a late romantic musician. “Madame Butterfly is the best opera I’ve ever written. ” Puccini said, “Once you focus on the subject matter of an opera, you’ll pour in for the truthfulness of the details Full. ”Perhaps his greatest genius is the combination of aria, dialogue, action and orchestral continuity. Mahler said: “I am a ’triple’ homeless, a Bohemian born in Austria, an Austrian living in Germany, and a Jew who is traveling all over the world.” "Einstein Commenting on Mahler, he said that his music was struggling between ecstasy and despair, faithfully reflecting the inherent incompatibility before the First World War but containing more artistic truth.