在文学研究的视阈中,“辛亥革命”似乎并不是一个重要事件,它既不具有历史转折的标志性,也无法为文学研究提供多少能够延展的话题。“辛亥”的尴尬,在于它处在中国文化变革的过渡时节,前有鸦片战争之后“西潮”涌入的社会文化嬗变,后有“五四”新文化运动开启中国文化的新纪元,研究中国现代文学,无论究其近因还是溯其渊源,都难免轻视这一事件的意义和价值。中国大陆史学界对辛亥革命的定位和认识在某种程度上也加剧了文学界对这一历史事件的漠视。大陆对辛亥革命的认识,总体认为这是一 In the perspective of literary studies, the “Revolution of 1911” does not seem to be an important event. It does not have the landmark of the turning point in history nor can it provide much extended topics for literary studies. The awkwardness of “Xin Hai” lies in the transitional period of Chinese cultural change. Before the Opium War, the social cultural evolution of the influx of “Western Waves” followed by the “May Fourth New Culture Movement” The new era of culture and the study of modern Chinese literature, regardless of their proximate origin or their origin, inevitably underestimate the significance and value of this incident. To some extent, the positioning and understanding of the 1911 Revolution by Chinese historians also exacerbated the indifference of the literary community to this historical event. The mainland’s understanding of the 1911 Revolution is generally regarded as one