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本文从戏剧人物入手重点分析《牡丹亭》的悲剧意蕴,进而论述汤显祖在情与理(儒)、出世与入世之间的价值困惑,事实上这也正是晚明心学和整个晚明社会的价值困惑。
This article focuses on analyzing the tragedy implications of “The Peony Pavilion” from the perspective of the drama characters, and then discusses the value confusion of Tang Xianzu between love and reason (Confucianism), birth and accession to the WTO. In fact, this is exactly the value confusion of late Ming Dynasty and late Ming Dynasty The value of confusion.