作为一名东方人,我对马戏团的全部想象都来自于另一名东方人——动画大师宫崎骏监制的动画片《雨中马戏团》里的描述:华丽丽的大帐篷一路迁徙,花瓣衣领的小丑踩着独轮车,空中飞人在沸腾的观众头顶上嗖嗖地穿梭,而那些全身裹满彩带和亮片的柔术演员们,她们几乎可以把身体扭得打出一个蝴蝶结……事实上这样的场景只是热爱欧洲元素的宫崎骏如实照搬了欧洲的流动马戏团全景而已。在欧洲,马戏团就是以这样一种流动的梦境般 As an oriental, my entire imagination of the circus comes from the description of the circus in the rain, produced by Miyazaki Hayao, another oriental man: The magnificent big tent moves all the way and the petals The clown in the collar steps on a wheelbarrow and the trapeze blows through the boiling audience’s heads, while the jiu-jitsu actors who are full of ribbons and sequins can almost twist their bodies into a bow ... In fact, Miyazaki Hayao, who loves European elements, has faithfully copied the panoramic view of the mobile circus in Europe. In Europe, circus is such a mobile dream