酷儿正在“入侵”中国当代艺术吗?从1990年代中期至今,已经有不少看似酷儿的片段在挑战着成规和桎梏。然而,只消推敲,就不难发现实际上是艺术“入侵”了酷儿,或者说是“利用”了它。酷儿有着它招摇和边缘化的特质,无论其目的正义与否,有的艺术家正是借此受到了关注,甚至取得成功。而这一切或许要归功于层叠的社会关系和势力。 Queer is “Invasion” of Chinese Contemporary Art? Since the mid-1990s, there have been quite a few queer pieces that are challenging queer and obscene. However, it is not hard to find out that it is actually the “invasion” of art, or the “use” of art. Queer has its swinging and marginalized qualities, no matter the purpose of justice or not, it is precisely because some artists have been the concern, and even succeeded. And all this may be attributed to the layers of social relations and power.