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一19世纪中下叶的欧洲是属于瓦格纳的。这个其貌不扬的天才通过自己的努力,一步步攀爬至歌剧艺术的顶峰。从1842年歌剧《黎恩济》上演后,瓦格纳每过几年就会推出一部重量级的作品:《漂泊的荷兰人》(1843)、《汤豪舍》(1845)、《罗恩格林》(1850)。遥远的往昔,庞大的管弦乐,宗教性的救赎情结与人性狂喜让他迅速地积累起了一大批粉丝。1865年的大作《特里斯坦与伊索尔德》迷醉了所有的听众,接下来《纽伦堡的名歌手》(1868)完善了他庞大的乐
In the mid to late 1800s Europe belonged to Wagner. Through his own efforts, this gifted genius climbed step by step to the top of opera art. After staging the opera “Li Enji” in 1842, Wagner will publish a heavyweight piece every few years: The Drift Dutch (1843), The Towers (1845), Ron Green “(1850). Far from the past, a huge orchestral, religious salvation complex and human ecstasy so that he quickly accumulated a large number of fans. 1865’s masterpiece ”Tristan and Isolde“ fascinated all the audience, followed by ”Nuremberg’s famous singer" (1868) perfected his huge music