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作为唐初书法理论的集大成之作,孙过庭在《书谱》中提出了一系列独到的见解,其中就包括对“古之四贤”不同定位的认识。从书法史上看,这一问题在不同的时代有着完全不同的答案,并随着历史进程的演进呈现出清晰地发展脉络。本文以时间为线索,来梳理这一命题在书法史上的发展过程,并发掘其背后的社会文化因素。并指出孙过庭有着自己独到的观点及这种观点背后的原因。
As a masterpiece of calligraphy theory in the early Tang Dynasty, Sun Chaotian put forward a series of original ideas in the “Book of Records”, including understanding of the different orientation of “ancient four sages ”. From the history of calligraphy, this question has completely different answers in different times and shows a clear development vein as the historical process evolves. This paper takes time as a clue to sort out the development of this proposition in the history of calligraphy and to find out the social and cultural factors behind it. And pointed out that Sun Chaotian has its own unique viewpoints and the reasons behind this view.