西方现代主义大师乔伊斯敏锐地洞察着现代西方人的内心世界。他以照相机的方式将现代西方人的内部病灶一一展示给世人。他的《尤利西斯》中的西方世界看似混乱而无救,然而本文认为乔伊斯用古老的曼荼罗原型在无尽的混乱之中奏着和谐之音,这似乎是他指给现代西方世界的救赎明灯。本文旨在以荣格的原型理论和东方的曼荼罗原型为基础分析乔伊斯在其《尤利西斯》中馈赠给世界的曼荼罗明灯。 Joyce, the master of Western modernism, keenly perceived the inner world of modern Westerners. He showed the world the modern westerners’ internal lesions by camera. The western world in his Ulysses seems seemingly chaotic and hopeless, yet this paper argues that Joyce uses ancient archetypes of ancient mandalas to play the voice of harmony among endless chaos, which seems to be what he refers to The salvation of the modern western world. The purpose of this paper is to analyze Joyce’s lamp, which was presented to the world by Joyce in his Ulysses, based on Jung’s prototype theory and the oriental prototype of the mandala.