论文部分内容阅读
明冯惟讷辑《古诗纪》、近人丁福保辑《全汉三国晋南北朝诗》,在此基础上,逯钦立辑《先秦汉魏晋南北朝诗》,其中72题先秦古歌,蕴含着丰富的文体发生意义。这些古歌在先秦或汉代典籍中出现之时,就带有“歌日”等文体标记,区别于谣、谚、诗,说明当时人已有明确的文体区分意识。这些歌与历史人物和故事同在典籍,具有具体的叙事内涵。歌与音乐关系密切。歌的语体由简单到丰富,二言、三言、四言、七言、骚体等句式都有,韵式也不单一,句句韵、隔句韵、换韵、富韵等方式都有。一切都不如后世规范,正说明诗歌文体初发生的样态。东汉赵煜所撰《吴越春秋》中有三首七言歌,其整饬的七言句式和句句用韵、一韵到底的韵式,早于曹丕《燕歌行》,是七言诗史上的重要文献。
On the basis of this, Qun Qin edits the poems of the pre-Qin and Han, Wei, Jin, Southern and Northern Dynasties, of which 72 are pre-Qin ancient songs, containing a rich Stylistic significance. When these ancient songs appeared in the pre-Qin or Han dynasties, they were marked with stylistic marks such as “Song Day” and different from rhymes, proverbs and poems, indicating that people had a clear sense of style and style at that time. These songs and historical figures and stories in the classics, with specific narrative content. Song and music are closely related. Songs of the style from simple to rich, two words, three words, four words, seven words, Sao body and other sentence has, rhyme is not a single sentence sentence rhyme, Sentence rhyme, rhyme, rich rhyme, etc. There are. Everything is inferior to the norms of later generations, is illustrating the beginning of the style of poetry. In the Eastern Han Dynasty, Zhao Yu wrote “Spring and Autumn of Wu Yue” with three seven-character songs. The seven-character sentence pattern and the sentence pattern of the whole sentence are rhymed and rhymed in the end. As early as Cao Pi’s “Yan Ge Xing”, they are important in the history of seven-character poetry literature.