中国当代雕塑的真正起步始于20世纪90年代初期,在当时的语境下,有两种艺术思潮值得关注。一是雕塑家有意识地将80年代中期以来对现代主义语言与风格的学习推进到当代层面,即形式—风格的范式建立让位于对材料、媒介、修辞方法的研究,在突出个人创作方法论的同时完成当代雕塑语言学的转向。二是艺术家与宏大叙事的、充满启蒙色彩的题材自觉地保持距离,转而关注周遭的日常生活与现实社会,强调作品内在的文化诉求, The real start of Chinese contemporary sculptures began in the early 1990s. Under the current context, two kinds of artistic trends deserve attention. First, the sculptor consciously pushed the study of modernist language and style to the contemporary level since the mid-1980s. That is, the formal-style paradigm has given way to the study of materials, media and rhetorical methods, At the same time to complete the contemporary sculpture linguistics turn. Second, the artist consciously kept his distance from the theme of grand narrative and full of enlightenment instead of paying attention to the daily life and the real society around him, emphasizing the inner cultural appeal of his works,