【摘 要】
：
电影中的城市废墟可分为历史废墟、战争废墟、灾难废墟、工业废墟、城建废墟等.20世纪末,工业废墟和城建废墟随着产业升级和城市化进程登上历史舞台,并成为电影中承载集体或个体记忆的物质载体.创作者在电影中创造的废墟景观,是实现现实空间与影像空间、物质空间与精神空间进行对话的“第三空间”,创作者通过不同空间修辞手段来展现城市废墟并以此构建一个关于废墟的历史寓言,从而唤醒集体或个体的情绪记忆.
【机 构】
：
北京电影学院, 北京 100089
论文部分内容阅读
电影中的城市废墟可分为历史废墟、战争废墟、灾难废墟、工业废墟、城建废墟等.20世纪末,工业废墟和城建废墟随着产业升级和城市化进程登上历史舞台,并成为电影中承载集体或个体记忆的物质载体.创作者在电影中创造的废墟景观,是实现现实空间与影像空间、物质空间与精神空间进行对话的“第三空间”,创作者通过不同空间修辞手段来展现城市废墟并以此构建一个关于废墟的历史寓言,从而唤醒集体或个体的情绪记忆.
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