在立陶宛导演里马斯·图米纳斯(Rimas Tuminas)导演的契诃夫作品《三姐妹》的舞台上,一座临时搭建的高台铺满绣有俄罗斯纹样的老式地毯,一面置于舞台后景的镜子似乎正扭曲甚至吞没整个空间,倒悬于上空的椅子似乎预示着即将败落的一切。当剧院池座的灯光熄灭,《三姐妹》中的人物以木偶一般的步伐、姿态缓慢出场,仿佛正从那个遥远的时代复生,以一场庄重的仪式再次迎接不 On the stage of the Chekhov “Three Sisters” directed by Lithuanian director Rimas Tuminas, a temporarily built platform covered with vintage rugs stamped with Russian patterns is placed on the stage behind the scenes The mirror seems to be distorting or even engulfing the entire space, and the overhanging chair seems to herald everything that is about to collapse. When the light in the theater’s pool seat goes out, the characters in the “Three Sisters” appear slowly as if they were puppets, as if they are recovering from that distant era and greet again with a solemn ceremony