戏剧文学当然是繁荣舞台演出的基础,但是有了好的剧本并非就有了一切。我们不是经常看到这样的情况吗?一个内容生机勃勃的剧本,而它的舞台演出却平淡无奇;许多剧团上演同一个剧本,演出形式却惊人地同一,如同拷贝;一个导演排演了若干不同题材、风格、体裁的剧本,演出形式却“老是那么一个味儿”。我认为,导演仅仅履行“剧本的解释者、演出的组织者、 Drama literature is of course the basis for a prosperous stage performance, but having a good script does not have it all. We do not often see such a situation? A lively content script, and its stage performances are insipid; many theatrical troupe staged the same play, the performance was amazingly the same, as a copy; a director rehearsed a number of different Theme, style, style of the script, the performance is “always so a taste.” In my opinion, the director only fulfills "the interpreter of the script, the organizer of the show,