从20世纪80年代开始,我就不断尝试用纸的材料来表现我的实验,即便是采用布面创作,我也会经常把纸材料直接贴到画面上,甚至还会把这种软性材质强行改变成硬质感觉(诸如金属感),这一时期还是想通过改变物的质感属性来强化人对物质的掌控力,试图表现精神驾驭物的绝对性。自20世纪80年代末、90年代初创作《汉·马王堆服饰系列》开始,我尝试用宣纸的自然属性来呈现汉代马王堆服装的历史沉积和风化现象。这个时期的创作 Since the 1980s, I have been trying my best to experiment with the materials of paper. Even with the creation of cloth, I often attach the paper material directly to the picture, and even the soft material Forced to change into a hard feeling (such as metal sense), this period still want to change the material texture attributes to strengthen people’s control of the material, trying to show the absolute nature of the spirit of control. Since the late 1980s and early 1990s, when creating the “Han Mawangdui Collection”, I tried to present the historical deposition and weathering of Mawangdui garments in the Han Dynasty with the natural attributes of rice paper. Creation of this period