中国绘画有着悠久的历史。由于特定的历史环境、文化底蕴和民族心理等情结造就了中国画独特、鲜明的艺术特色在东方和世界上自成体系。千百年来,艺术家们一直孜孜不倦地投身于中国画艺术实践和理论的研究,并且已经形成了以用笔、用墨为核心、代表中国画形式美学特征的第一、第二审美内涵。通过长期对中国画艺术实践的探索和研究,在人们已经公认的用笔、用墨的审美内涵基础上,我发现中国画还有一个未被人们重视和挖掘、可以与中国 Chinese painting has a long history. Due to the specific historical environment, cultural complexities and national psychology, the complex created the unique Chinese painting, and the distinctive artistic features are self-contained in the East and the World. For thousands of years, the artists have been tirelessly engaged in the research of Chinese painting art practice and theory, and have formed the first and second aesthetic connotations of using the pen and ink as their core to represent the aesthetic features of Chinese painting. Through long-term exploration and study of the artistic practice of Chinese painting, based on the accepted aesthetic connotations of pen and ink, I found that there is another aspect of Chinese painting that has not been valued and tapped by Chinese and can be used with China