论文部分内容阅读
元代,中国戏曲艺术达到成熟,戏曲创作繁荣,无论北方的大都、平阳、真定,还是南方的杭州、温州等地,都涌现出一大批戏曲作家和艺人。与此相比,戏曲理论稍显滞后,元初,只是在一些文人文集中有少量的论及戏曲或艺人的单篇文章,但这些文章却具有创始之功,在中国戏曲发展史上具有重要的价值。元初著名文臣胡祗通即是这样一位具有开创之功的戏曲理论家。胡祗通(1227—1295),字
During the Yuan Dynasty and the Yuan Dynasty, Chinese opera art reached maturity and opera creation was prosperous. A large number of opera writers and entertainers emerged in most of the north, Pingyang, and Dinglan, or in the south of Hangzhou and Wenzhou. Compared with this, the drama theory lags behind slightly. In the early Yuan Dynasty, there were only a few articles on opera or entertainer in some literati collections, but these articles had the power of founding and were important in the history of Chinese opera development value. In the early Yuan Dynasty, the famous Wenchen Hu Huntong was just such a theatrical theorist who pioneered the work. Hu pass (1227-1295), word