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本文首先从纪录剧(Docudrama)的界定入手,梳理了纪录片与戏剧,尤其是情节剧融合成纪录剧的过程。接着从纪录剧制作者的意图、文本的明显特征、观众与纪录剧的关系几个方面对纪录剧进行了剖析,并对纪录剧所引发的巨大争议的焦点问题:与纪录片的真实相比较纪录剧的真实问题、纪录剧所使用的戏剧化的结构来表达现实的手法问题,以及尚无定论的分类问题进行了探讨。
This article begins with the definition of Docudrama, combs the process of documentary and drama, especially melodrama melodrama. Then it analyzes the record play from the intent of the producer of the record, the obvious feature of the text and the relationship between the audience and the record play, and focuses on the huge controversy caused by the record play: comparison with the reality of the documentary The real issue of drama, the dramatic structure used in the recording of plays to express the reality of the technique, and the inconclusive classification.