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爱伦·坡在评价霍桑的作品时说,“严格意义上的故事,无疑为最有才能的作家提供了最好的锻炼场地。”①纵观张炜的小说可发现,他的创作流露着浓浓的古典气息,表现了一种历史的审美观、理想化的审美伦理,符合其作品体现的“文化保守主义”的价值立场。他的作品叙事由单线、复调到后来庞大的家族叙事圈套体现了作家追求的“自我”型“故事内”叙事,彰显了对小说叙事以及叙述的文化意义的探索。
In his assessment of Hawthorne’s work, Allan Poe said: “Strict sense of the story undoubtedly provides the best training ground for the most talented writer.” ① Looking at Zhang Wei’s novel, one can see that his The creation reveals a thick classical atmosphere, showing a kind of historical aesthetic and idealized aesthetic ethics, which is consistent with the value position of “cultural conservatism” reflected in his works. His works’ narration from single line to polygamy to later huge family narration reflects the writer’s pursuit of “self ” type “story ” narration, highlighting the exploration of novel narrative and narrative cultural significance.