80年代末,伴随着改革开放及社会环境的宽松,画廊业应运而生。尽管此时的经营者不谙“市场操作”的本领与技巧,画廊多以作品展示的功能性面向大众。但也正是基于经营者这种对市场的前瞻性眼光,及“摸着石头过河”的勇气,大大动摇了官方美展的长期统治,及画店经营的传统模式。早期的画廊不仅吸纳优秀的作品、提供更为新颖独特的展览空间,也使作品的买卖与流通渠道更为公开化与多样化。无疑,画廊业的兴起,把艺术家及其作品推向了市场的前沿阵地,从此在这面飘扬的旗帜下,有了更多的话语与喧哗…… In the late 1980s, with the liberalization of the reform and opening up and the social environment, the gallery industry came into being. Although the operators at this time are not familiar with the skills and techniques of “market operations”, the gallery’s versatility in presenting works is open to the general public. However, it is precisely because of this forward-looking vision of the market and the courage of crossing the river by feeling the stones, greatly shaken the long-standing rule of official art exhibitions and the traditional mode of operation of painting shops. Early galleries not only absorbed excellent works, provided more novel and unique exhibition space, but also made the sale and circulation of works more open and diversified. Undoubtedly, the rise of the gallery industry pushed the artists and their works to the forefront of the market, and from there more words and noises under the banner of flying