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在马拉美不多的文学创作中,三部戏剧作品《希罗底》、《牧神》与《依纪杜尔》占据了重要的位置。马拉美戏剧创作的生命力在于他真诚地吸收了20世纪之前、也许是有史以来最为经典的戏剧创作——莎士比亚的作品,同时又以自己的诗学为出发点,揉以形而上美学的思考,划出了一道以时代为背景、又超出时代维度的流星轨迹。这可以说是其戏剧观之现代性的一个体现。
In the limited literary creation of Malala, the three dramas “Herodias”, “Faun” and “Gundul” occupy an important position. The vitality of the creation of the drama in Malawi is that he sincerely absorbed the works of Shakespeare before the 20th century, perhaps the most classic drama creation ever made. At the same time, with his own poetics as the starting point, he rubbed the metaphysics of aesthetics and delineated A meteor track that takes the era as its background and transcends the dimension of the times. This can be said that it is an embodiment of the modernity of its dramatic view.