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厲鶚是清代雍乾時期的詩詞創作大家,典故運用是其詩歌最爲顯著的藝術表現手法。厲鶚詩歌中的典故運用建立在他“以學爲詩”的詩學主張之上。厲鶚喜愛在詩中運用宋代典故,其原因是由于他對宋代典籍的諳熟,以及對于詩歌語言創新性的考慮。具體的用典方法,則有用語典、事典和化用前人詩句三種。前人對厲鶚詩歌頻繁用典褒貶不一。客觀上講,大量的典故運用豐富了厲鶚詩歌的語言,造成了樊榭詩歌的生新風貌,同時,也成爲清詩學問化的一個具體表現。
Li Li was the poetry creation of the Yong and Qian period in the Qing Dynasty. The use of allusions was the most significant artistic expression of his poems. The use of the allusions in Li Li’s poems is based on his poetic ideas of “learning as poems”. Li Li loves to use the Song Dynasty allusions in poetry because of his familiarity with the Song dynasty books and the innovative consideration of poetry language. Specific method of dictionary, the useful dictionary, event and the use of the previous three verses. Former Li Li poem frequently mixed with different judgments. Objectively speaking, a large number of stories are used to enrich the language of Li 鹗 poetry, resulting in a new style of poetry, and at the same time, it has also become a concrete manifestation of the academicization of clear poetry.