林峰的行草书,一如他这个人一样,笔致轻灵活脱,结构自然俯仰,或端庄或飘逸,长线与短线的分配组合都拿捏得恰到好处,我想这就跟一个人的格调有关,俗人的笔下是没有这种江南文人的情调的,这种儒雅斯文也不是装出来的,而是通过柔软的毛笔自然的流淌出来的。我曾经说过,林峰是新古典书风的代表书家。今天,面对他的新作,我依然坚定这个看法。他的书法扎扎实实的追求着以传统书法技术和风格为总基调的书风,他的技术和风格也是这个时代帖学书风中不可多见的实力派高手。我有时候很奇怪,以林峰的功力和才情,为什么他 Lin Feng’s cursive cursive, as he is, pen light and lively, natural pitch structure, or dignified or elegant, long-term and short-term distribution of the mix are just right, I think this is related to a person’s style, the laity The pen is not the kind of Jiangnan scholar’s mood, this kind of Confucianism is not loaded out, but through the soft brush naturally flowing out. I once said that Raymond Lam is the representative book of the neoclassical style of writing. Today, in the face of his new work, I still firmly believe that. His calligraphy solid pursuit of traditional calligraphy techniques and style as the general tone of the book style, his technology and style is also the era of calligraphy style rare master of the strength to send. I am sometimes weird, with Lin Feng’s skill and talent, why he