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“文化戏剧”的概念在我国戏剧界一直受到漠视,其概念的内涵与外延也模棱两可。90年代以来,立足于文化角度的戏剧创作方兴未艾,其价值取向呈现多元化。而且,当前戏剧创作的人文精神的匮乏已是有目共睹,亟需扭转局面。本文力图对文化戏剧的概念进行界定,并对其基本构架和范式进行描述,指出其思想核心是文化启蒙精神。由于多种原因,文化戏剧的概念本身存在一些疑惑,值得我们深思。
The concept of “cultural theater ” has always been ignored in the theater industry in our country. The connotation and extension of its concept are also ambiguous. Since the 1990s, drama creation based on the cultural perspective is in the ascendant and its value orientation is diversified. Moreover, the current lack of humanistic spirit in drama creation is evident to all and urgently needs to be reversed. This thesis attempts to define the concept of cultural drama and describe its basic framework and paradigm, pointing out that the core of its thought is the spirit of cultural enlightenment. Due to a variety of reasons, the concept of cultural drama itself, there are some doubts, it is worth our pondering.