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在中国戏曲悲剧中,孔尚任的《桃花扇》以悲剧人物李香君和侯朝宗双双“入道”为结局,开创了中国悲剧的一种独特形式。而李香君和侯朝宗双双“入道”既是对南明王朝的邪恶势力的拒绝,也是对“开国元勋留狗尾,换朝逸老缩龟头”的拒绝。近现代以来,人们越来越深入地认识到《桃花扇
In the tragedy of Chinese opera, Kong Shangren’s “Peach Blossom Fan” ended with the tragic figures Li Xiangjun and Hou Chaozong, and created a unique form of Chinese tragedy. Both Li Xiangjun and Hou Chaosong both “entertained” both as a rejection of the evil forces in the Nan Ming dynasty and as a refusal to “open the foreigners to stay in the tail of the dog and change the old tortoise”. Since modern times, more and more people have come to realize that "peach fan