揆别雕塑界已久,常年埋头文稿之间,难得有机会去看一次美展。偶尔光顾,也常为其间雕塑作品展出的寥落感到不足和叹惜。至于街头、建筑、广场、园林之间,则更是一片空白,看不到雕塑的影踪,连那令人惆怅的寥落也不可得了。由于众所周知的原因,一个造价数百万元的建筑,尽管经常有惊人的浪费,却难得从牙缝里剔出一吨水泥,几块汉白玉和几米钢筋给雕塑家去进行艺术实践。可是,对于热爱生活、热爱美的艺术家,大自然却比较慷慨,刘万琪不就在弃于地下的这些竹根树蔸上找到了大自然的恩赐么。 Do not have a long history of sculpture, buried among the annual draft, a rare opportunity to see a fine art exhibition. Occasionally patronize, but also for the lack of sculpture on display during the lack and lament. As for the streets, buildings, squares, gardens, it is even a blank, can not see the traces of the sculpture, even the melancholy that sparse not available. For all the best known reasons, a multi-million dollar building, rare and often incredibly wasteful, is a rare addition to cementing a ton of concrete, a few white marble and a few meters of steel to the sculptor for artistic practice. However, for those who love life and love beauty, nature is more generous. Liu Wanqi did not find the gift of nature on these bamboo trees abandoned underground.