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这个冬天有两个展览不得不看。一是在中国美术馆举办的“工·在当代”第九届中国工笔画大展,二是在中央美术学院美术馆举办的“南方的风景”油画群体写生展。占用了整个美术馆一楼展厅的工笔画大展,出现了不太常见的排队观展的现象。展览之所以好看,在于为数众多的画作刷新了人们既有的工笔画印象。尤其是一些借鉴与挪用了欧洲古典写实油画的作品,颇具观念意味,创造了奇异而虚幻的视觉体验;“南方的风景”的开幕,恰逢京城遭遇雾霾。走进展厅,扑面而来的是那些清新爽亮的广西
There are two exhibitions this winter have to see. The first is the 9th Chinese Painting Exhibition organized by the China Art Museum and the second is the sketch exhibition of oil paintings by the Central Academy of Fine Arts. Took up the fine art exhibition in the gallery on the first floor of the entire museum, and the unusual phenomenon of queuing up for exhibition appeared. The reason why the exhibition looks good is that numerous paintings have been used to refresh the impression of the traditional painting. In particular, some of the works that draw on and embezzle the classical European realistic oil painting are rather conceptual and have created a strange and illusory visual experience. The opening of the “Southern Landscape” coincided with the haze in the capital. Into the hall, blowing the fresh and bright Guangxi