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笼统地说,建构当代书法批评标准体系,恐怕是一个极其困难的事情。因为以21世纪宏阔的时代视角,当代书法非常复杂。这里面,有众多的“主义”。近代百余年来,中国文化艺术界的各种思潮,有主张“全盘西化”的,有主张“引西入中”的,也有主张保持本土艺术的纯粹性,和西方保持距离的。超越门户畛域来审视,各有各的道理,都有家国情怀,都有对中国艺术未来的忧思与憧憬。书法,作为中国艺术的一个重要门类,不可能游离于“全球化”时代中西文化碰撞的大潮之外。
In a nutshell, it is an extremely difficult task to construct a standard system of contemporary calligraphy criticism. Because of the grand era of the 21st century, contemporary calligraphy is very complicated. Inside, there are many “doctrine ”. Over the past hundred years, the various ideological trends in the Chinese culture and art circles have advocated that “Westernization” should be advocated in order to maintain the purity of local art and maintain its distance from the West . Exceeding the threshold of the field of portals to examine each have their own truths, they all have their own national feelings, and they all have the worries and longing for the future of Chinese art. Calligraphy, as an important category of Chinese art, can not be free from the tide of collision between Chinese and Western cultures in the era of “globalization.”