点击理由朱雅梅似乎对那种温润而迷蒙的“逆光”效果的视觉图像颇为敏感,所以她笔下的内容便生发着温润而迷蒙的笔墨形态。透过她的画,可以望见汉代的画像砖、画像石,可以望见质朴的陕北剪纸,可以望见米南宫的云山图,亦可以望见倪云林的空灵画境。其画作注重整体气氛,为了强化形式美感,不惜淡化形体,淡化细节。她作品中描画的是一种虚灵幽雅的“惟恍惟惚”的梦境,是对江南水乡的一种具有强烈个性风格的恰当阐释。当然,她的画也决不会因为迷蒙和虚灵而 Zhu Jumei seems to be very sensitive to the kind of warm and mesmerizing visual effects of “Backlighting” effect, so the contents of her pen will give a gentle and subtle brushwork. Through her paintings, you can see the Han Dynasty portrait of brick, stone portrait, you can see the simple Northern Shaanxi paper-cut, you can see the Mianyang Palace Yunshan map, you can also see Ni Yunlin’s ethereal landscape. His paintings focus on the overall atmosphere, in order to enhance the beauty of form, at the desalination of physical form, desalination details. In her works, she depicts a kind of dream with a pure and elegant “idyllic scenery” as a proper interpretation of Jiangnan Water Village with a strong personality style. Of course, her paintings are by no means obscure and vain