祖国优秀的民族戏曲艺术遗产是一个无比丰富的宝藏,正待我们去大力开发,近年来我们上演剧目的贫乏,已形成严重情况,主要就是没有作好传统剧目的挖掘、整理工作所造成的.在全国戏曲剧目工作会议上,我深深体会到,我们戏曲编剧工作者,要搞好剧目工作,一定要紧紧依靠艺人,向他们虚心学习,非得要改变过去我们关起门来搞一套的方法不可.过去我们越剧虽然也搞了几个传统剧目,但思想上对于民族遗产学习是不很明确的.尤其认为越剧的遗产很少,没有什么可学习,因 The outstanding national heritage of the motherland’s artistic heritage is a tremendous treasure. We are going to vigorously develop it. In recent years, we have played a poor role in theatrical productions. We have already made a serious situation. The main reason is that we have not done well in the excavation or arrangement of traditional plays. At the working conference of the national drama repertory, I deeply understand that our writers and writers in drama dramas must work closely with the artists and learn from them with moderation, and we must change the past when we close the door and engage in a set of The method is not available in the past although we also engage in several traditional opera Yue opera, but ideological for the study of national heritage is not very clear, especially that there is little legacy of Yue Opera, there is nothing to learn because