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马克思在《〈政治经济学批判〉导言》里用充满诗意的语言赞赏了人类童年时代的艺术希腊神话与史诗所散发出的动人魅力,并进而提出了希腊艺术与史诗何以具有永久的魅力等一系列重大的艺术哲学的命题。马克思无暇顾及这样一些专门的艺术哲学问题,他只是遨游在他广阔的思想海洋里路经艺术这片异彩纷呈的特殊海域时,被它的景象所吸引,稍一逗留,抛下这样一些疑问,便又匆匆驶向远方了。而这些疑问,一百多年来,却有如艺术王国里的“哥德巴赫猜想”,引诱着人们进行探索。
In the Introduction to Critique of Political Economy, Marx appraised the moving charm of the Greek mythology and epic in the childhood of human beings in a poetic language, and then put forward why the Greek art and epic have a permanent charm, etc. A series of major propositions of artistic philosophy. Marx did not have time to take into account such specialized philosophical problems of art. When he just traveled through the vast and special sea of art under his broad ideological sea, attracted by his spectacle, he stayed for a moment and left some doubt. Then hurried to the distance again. These questions, for more than 100 years, are like the “Goldbach’s Conjecture” in the art kingdom, which tempts people to explore.