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帕洛夫2010年推出的新作《非原创的天才:新世纪以其它形式创作的诗歌》以审慎客观的态度,从多个角度追溯了“非原创性”的诗学传统,概括性梳理和总结了现当代诗人所进行的各种实验和革新,向读者展示了“以其它形式”创作的诗歌所独具的创造性、智慧和复杂性。现代信息技术改变了“人如何表达自己”这一命题,因此,如何重组、重构、挪用、引用、限制、转录、复制、可视化或可声化现存的词汇和句子进行创作,则成为20及21世纪文化中新的诗歌策略,从而改变了“原创”一词的固有内涵。
In his cautious and objective attitude, Parov’s new work “Non-original Genius: Poems Created in Other Forms in the New Century” in 2010 traced the poetic tradition of “non-originality” from many angles and summed it up And summarizes the various experiments and innovations conducted by modern and contemporary poets and presents readers with the unique creativity, wisdom and complexity of poems written in “other forms.” Modern information technology has changed the proposition that “people express themselves”. Therefore, how to reconstruct, reconstruct, embezzle, quote, limit, transcribe, copy, visualize or sound existing words and sentences for writing is 20 and 21st century culture in the new poetry strategy, thus changing the “original ” the inherent meaning of the word.