艾米莉.狄金森在其隐退的人生中,以养花和写诗标识自身的存在,在其园艺与诗艺世界里,通过扮演男、女两种社会性别角色,追求由双性和谐内驱力所创造的艺术人生。本文以狄金森消解传统的男性中心文化的策略为基点,从性别诗学的角度出发,探讨其在园艺人生和诗歌生涯中富于个性的精神追求,揭示其作为一名女性,聪颖地超越时代的局限性,用双性和谐的写作策略,发挥自身主体性和创造性的人生内涵。 Emily Dickinson, in her retreat, identifies her own existence by means of gardening and writing poetry. In her horticultural and poetic world, she pursues hermeneutics, The art of life created by the drive. This article takes Dickinson ’s strategy of dispelling the traditional male central culture as a starting point. From the perspective of gender poetics, this article explores his pursuit of personality in the horticultural life and poetry career, revealing that as a woman, surpassing the epoch Limitations, with a harmonious writing strategy, to play their own subjective and creative meaning of life.