温儒敏先生在《中国现代文学批评史》自序中指出:“现代涉足批评的人很多,可是绝大部分都并非纯粹意义上的批评家,他们或者写过许多书评去解释作品,或者发表各种意见参与论争,却大都视批评为创作的附庸或论争的工具,真正把批评当做一项严肃的事业,一种相对独立的理论创造的,是极少数。”①可见,现代批评家们并没有建立批评理论的自觉,而更注重 In his preface to the History of Modern Chinese Literary Criticism, Wen Rumin pointed out: “There are many modern people involved in criticism, but most are not critics in pure sense. They write many book reviews to explain their works or publish various kinds Opinion participation in the debate, but most critics as vassals or controversy for the creation of tools, the real criticism as a serious cause, a relatively independent theory to create, is very small. ”① It can be seen that modern critics and There is no conscientious, but more focused on the establishment of critical theory