作为“学衡派”主要组织者和思想家的吴宓 ,始终无法改变其在中国现代历史进程中的悲剧性。这种悲剧一方面体现为他的古典主义理想与现代中国的文化发展实际明显脱节 ,另一方面则在于就是吴宓自己也无法调和“亦新亦旧”的内外矛盾 ,正是这样的矛盾使得他成为了新与旧之间的孤独的文化旅人。 As one of the main organizers and thinker of “Xueheng School,” Wu Mi has never been able to change its tragedy in the process of modern Chinese history. On the one hand, this kind of tragedy manifests itself in the fact that his ideal of classicalism is obviously out of touch with the actual development of Chinese culture. On the other hand, Wu 宓 himself can not reconcile the internal and external conflicts of “new, old and old.” It is such contradictions that make He became a lonely cultural traveler between the new and the old.