纪录片《颍州的孩子》描写了安徽农村三组孤儿。他们的父母都因卖血染上艾滋病去世。几个孩子大的十四五岁,小的只有四五岁。他们却身陷远非这个年纪所能承受的苦难,歧视,孤独,无数的拒绝,每一样对他们而言,可能远甚于病痛的折磨。影片诉说的是孤独,导演将人物内心最真实深切的感受在影片中渲染与发酵。当孤独与死亡相撞,镜头强化了孤独之感,弱化死亡的恐惧,导演通过对即将 The documentary “Children of Yingzhou” describes three groups of orphans in rural Anhui. Their parents died of bloodstained AIDS. A few children fourteen-year-old big, small only four or five years old. They are caught in much more than the misery, discrimination, loneliness and innumerable refusal that this age can bear, and each may be far more devastating to them than sickness. The film tells is lonely, the director will be the most real and deep feelings of the characters in the film rendering and fermentation. When loneliness and death collide, the lens strengthens the sense of loneliness and weakens the fear of death. The director,