英国文学理论家伊格尔顿曾在一篇书评中这样写道:“弗雷格是哲学家中的哲学家,伯特兰·罗素是店铺老板眼中的圣人,但是维特根斯坦是诗人、作曲家、小说家和电影导演中的哲学家。”~①伊格尔顿的这一评价,以一种极简的方式,勾勒出了不同哲学家的个性特征,以及他们与大众之间的关系。与弗雷格的终生落寞,以及罗素在大众中所获得的明星般地位不同,维特根斯坦传奇的一生、迷一样的性格,对众多艺术家构成极大的吸引力。不仅如此,除了维特根斯坦的形象 In a book review, British literary theorist Eagleton wrote: “Frege is a philosopher in the philosopher, Bertrand Russell is the saint in the eyes of the shopkeeper, but Wittgenstein is a poet, composer Philosopher in home, novelist and film director. ”Eagleton’s evaluation, in a very minimalist way, sketches out the personality traits of different philosophers and their relationship to the general public relationship. Unlike Frege’s lifelong loneliness and the star status Russell won among the general public, Wittgenstein’s legendary life and fan-like character make it a great attraction for many artists. Not only that, but the image of Wittgenstein