在南宋词壇上,辛弃疾词的天地是最为广阔的‘大声鞺鞈,小声铿鍧,横绝六合,扫空万古,自有苍生以来所无’(刘克庄《辛稼轩集序》)。在他所写六百多首词中,表现农村风光的词作尽管只有几十首,但是作为审美认识的对象,却是充溢内在价值的有意义的客体。它所具(?)的审美价值不在于创作范围的拓宽延伸,而是在于独特地多侧面地展示出农村生活的真实图景,显示出一种自然美、意境美、习俗美和色彩 In the Southern Song Ciqian altar, Xin Qiji’s world is the most expansive ’loud shy, whispered clatter, cross the Liuhe, sweep the ages, since the common people have nothing’ (Liu Ke Zhuang << Xin Jia Xuan order >>). Among the more than sixty written articles he wrote, although there are only a few dozen poems expressing rural scenery, as the objects of aesthetic understanding, they are meaningful objects that overflow with intrinsic value. The aesthetic value of (?) Does not lie in the broadening of the scope of creation, but in the unique and multifaceted display of the true picture of rural life, showing a natural beauty, artistic conception, artistic beauty and color