大众文化现象的滋生,是文化主体和受众群体同化同构的结果。东北方言戏剧小品的生成与火爆,除迎合了受众群体对主导文化和精英文化的厌倦情绪外,其本身对主导文化和精英文化乃至对传统美学原则的有意或无意的颠覆,也属不可或缺的因素。本文将从对这一文化现象的纵向描述中,对东北方言戏剧小品作定位性阐释,并对其低迷状态作试探性分析。 The popularization of popular culture phenomenon is the result of assimilation and homogenization of cultural subjects and audiences. The formation and popularity of the northeastern dialect drama sketches are indispensable, in addition to catering to the audiences’ tiredness towards the dominant culture and the elite culture, and their own deliberate or unintentional subversion of dominant culture and elite culture and even traditional aesthetic principles the elements of. This article will interpret the northeastern dialect drama sketch from the vertical description of this cultural phenomenon and tentatively analyze its downturn.