近年在墓葬壁画的美术史研究中有一个现象:就是原来广泛意义上的墓室壁画,现在多被名为“墓葬壁画、壁画墓、墓葬壁饰”等,概念的变化反映了美术史研究中方法、视野、角度的变化,这种协调和重新定位史料与解释之间的关系,将器物与装饰纳入到更大的整体中去考虑的现象,对于美术史中寺观庙堂绘塑与建筑的研究有所启发。 In recent years, there is a phenomenon in the study of art history of tombs and murals: the original tomb murals in the broad sense and nowadays are often called “tombs, murals and tombs.” The changes in concepts reflect the history of art history In view of the change of methods, horizons and perspectives. This kind of coordination and reorientation of the relationship between historical facts and interpretations, and the incorporation of artifacts and decorations into a larger whole should be considered. For the painting and building of temple temples in the history of fine arts Research has inspired.