“审美注意”是音乐创作与欣赏过程中所产生的有意识、有目的、有选择的指向性观照状态,是创作主体与审美主体对其对象所采取的一种艺术把握方式(心理中介),同时,又是不可或缺并且有极大能量的心理活动现象。 心理学美学史上对“审美注意”这一心理现象曾赋予多种不同的称谓和理论概念上的认知差异。如格特沙克称为“留心”,贾莱特将“注意”称为心理的“开放”或“张开”,闵斯特堡称为“留心加注意”,朗吉费尔德称为“孤离”(detachment),今道友信认为是“日常意识的垂直切断”。上述称谓都有不确切性或片面性。 “Aesthetic Attention” is a conscious, purposeful and selective direction-oriented viewing state produced in the process of music creation and appreciation. It is also a kind of art holding method (psychological intermediary) adopted by the subject of creation and the subject of aesthetics on its subject. Meanwhile, , But also the phenomenon of psychological activity that is indispensable and has great energy. The psychological phenomenon of “aesthetic attention” in the history of psychology aesthetics has given a variety of different cognitive concepts and theoretical concepts. As Guttchak calls “mindfulness,” Jarrett calls “attention” psychologically “open” or “open,” Minsterberg calls “mindfulness,” and Langelfield calls “ Isolation ”(detachment), this Daoism believes that“ the daily sense of vertical cut off. ” The above appellations have inaccuracies or one-sidedness.