要谈高校书法专业的问题,必须从当代书法的状况,乃至整个书法群体谈起。当代书法家的状态可以说“与古不接,于今不立”。何谓“与古不接”?古代书法是文人的基本素养,许多书法家是集多重身份于一身,首先是个文人然后才是书法家,而现在冠以“书法家”之名者大都已经不再是读书人。何谓“于今不立”?指的是写的好不好,如何来写,在当今自己说了是不算数的,而是已经沦为展览的奴隶。自己的书写状态需要听命于他人,正所谓“古之学者为己,今之学者为人”。 If we want to talk about the major of calligraphy in universities, we must talk about the situation of contemporary calligraphy and even the entire group of calligraphy. Contemporary calligrapher’s state can be said “not with the past, today is not legislation ”. Ancient calligraphy is the basic literati literacy, many calligraphers are set in multiple identities, the first is a literary then calligrapher, and now crowned as “calligrapher ” of the name Most are no longer scholar. What is meant by “not standing today?” Refers to the writing is good, how to write, in today’s self is not counted, but has become a slave to the exhibition. Own writing state need to listen to others, is the so-called “ancient scholars for their own sake, this scholar ”.