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一线,做为一种绘面表现的手段,已经在中国的艺术家手中运用了数千年。数千年来,一直不曾间断。一天天地充实,一年年地丰富,一代代地演变。直到今天,还在被中国的艺术家们(也有外国的艺术家们)不断地运用和研究。它一直是中国传统绘画构成的主调。线,做为构成客观物象的手段,在中国艺术家手中,不是单纯表示客观物象存在的标记和符号。他们运用线条描绘的客观世界,已不是表示客观物象的再现,而是作者对客观物象认识、分析、理解、加工后的一种表现。中国艺术家用线表现在画面上的客观物象,是作者主观思维与物象客观存在的统一体。
The first line, used as a means of painting, has been used by Chinese artists for thousands of years. For thousands of years, has not been interrupted. Rich day by day, rich year after year, evolved from generation to generation. Until today, Chinese artists (and foreign artists) are constantly using and researching. It has always been the main theme of traditional Chinese painting. Line, as a means of forming objective objects, is not merely a mark and symbol of the existence of objective objects in the hands of Chinese artists. The objective world they use to depict lines does not represent the reproduction of objective objects but rather an expression of the author’s understanding, analysis, understanding and processing of objective objects. The objective figures expressed by Chinese artists on the screen with lines are the unity of the author’s subjective thinking and the objective existence of objects and objects.