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音乐人类学研究领域中探讨唱词与旋律形态之间的关系仍属于较难的研究话题,尤其作为蒙古族萨满教音乐的唱词与旋律同构问题更是加大了探讨的难度。因为它既蕴含着民间音乐与歌词之间关系特征,也隐藏着宗教文化的独特性。本文首先对科尔沁蒙古族萨满仪式歌曲的歌词入手对主位概念加以分析,并对歌词章法结构进行了概括;其次,从音乐人类学视角中阐释了萨满歌曲旋律所蕴含的概念及结构特征;最后,对旋律乐句构成与唱词内容之间的对应关系加以分析,继而主要探讨了“词重音”与旋律音程、旋律线与唱词之间形成的关系,力图揭示其唱词对旋律形态构成的影响和同构关系。
Studying the relationship between lyric and melodic form in the field of musical anthropology is still a difficult research topic, especially as the problem of the isomorphism of the lyrics and melody of the Mongolian shamanic music has further exacerbated the discussion. Because it contains both the relationship between folk music and lyrics features, but also hides the uniqueness of religious culture. This article first analyzes the concept of the thematic position in the lyrics of the Horqin Mongolian Shamanic ritual songs and generalizes the structure of the lyrics. Secondly, this paper explains the concepts and structural features of the melody of the shamanic song from the perspective of musical anthropology ; Finally, the relationship between the structure of the melodic phrase and the content of the libretto is analyzed, and then the relationship between the “accent” and the melodic interval, the melodic line and the libretto is mainly discussed in order to reveal the composition of the lyric form Influence and isomorphism.