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2013年暑期,带着写作硕士论文《麦克白:威尔第与莎士比亚》的任务,笔者赴欧洲四国进行了为期四十天的考察。适逢瓦格纳、威尔第诞辰二百周年,各大歌剧院无不被他们的名作所占据,就连萨尔茨堡音乐节也以两位大师的喜歌剧《法斯塔夫》、《纽伦堡的名歌手》压轴。书店橱窗满是瓦格纳和威尔第的新老传记、研究文献。在牛津大学书店,笔者拨开半堵墙高的威尔第/瓦格纳,访得一本题为《1853年的音乐:该年的传记》(Music in 1853:the biography of a year)的小书,作者是美国圣路易斯华盛
In the summer of 2013, with the writing master’s thesis “Macbeth: Verdi and Shakespeare,” the author conducted a 40-day study in four European countries. Wagner, Verdi’s 200th birthday coincides with the major opera houses are all occupied by their masterpieces, and even the Salzburg Festival also with two master’s comic opera “Faustaf”, “Nuremberg’s Famous singer ”finale. Bookstore windows full of new and old biographies of Wagner and Verdi, research literature. At the University of Oxford bookstore, I opened Verdi / Wagner, a half-clogged wall, to a small book entitled “Music in 1853: the biography of the year” (Music in 1853: the biography of a year) The author is the United States St. Louis Huasheng