八十年代以来,西方现代美学、文艺学和文学批评理论大量涌进中国文坛。这是改革开放政策必然带来的结果,从长远看,对我国当代文学艺术的发展是有益的、不可缺少的。但正如学术界的有识之士早已指出的,引进工作中存在着虚张声势、华而不实、生吞活剥的倾向,有的甚至背离了马克思主义的轨道。现在,这种状况开始有了改变。冯黎明、李俊国、聂运伟、刘川鄂四位青年研究者批判地采用西方的神话——原型批评方法审视中国文学的四篇才气各异论 Since the 1980s, western modern aesthetics, literary theory and literary criticism have flooded into the Chinese literary world. This is the inevitable outcome of the policy of reform and opening up. In the long run, it is necessary and beneficial to the development of contemporary literature and art in our country. However, as the people of insight in the academic field have long pointed out, there is a blundering tendency in the work of bringing in something flashy and violent, some even deviate from the track of Marxism. Now, this situation has begun to change. Feng Liming, Li Junguo, Nie Yunwei, Liu Chuan’e Four Young Researchers Critically Adopted the Western Mythology - Prototype Criticism Examines the Four Qualities and Discrepancy of Chinese Literature